Icons and Iconoclasm in Byzantium, A MetMuseum essay
Form and Function of Icons Icons ranged in size from the miniature to the monumental. Some were suspended around the neck as pendants, others (called "triptychs") had panels on each side that could be opened and closed, thereby activating the icon. Icons could be mounted on a pole or frame and carried into battle, as has been suggested for the Saint Demetrios icon (1970.324.3). Alternatively, icons could be of a more permanent character, such as fresco and mosaic images decorating church interiors. In Byzantine theology, the contemplation of icons allowed the viewer direct communication with the sacred figure(s) represented, and through icons an individual's prayers were addressed directly to the petitioned saint or holy figure. Miraculous healings and good fortune were among the requests. --> Acheiropoieta , or Icons "Not Made by (Human) Hands" Icons created by divine agency were known as acheiropoieta ("not made by (human) hands"). This categ