New book by Leonora Neville:Heroes and Romans in Twelfth-Century Byzantium: The Material for History of Nikephoros Bryennios
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Heroes and Romans in Twelfth-Century Byzantium: The Material for History of Nikephoros Bryennios
: Nikephoros Bryennios' history of the Byzantine Empire in the 1070s is a story of civil war and aristocratic rebellion in the midst of the Turkish conquest of Anatolia. Commonly remembered as the passive and unambitious husband of Princess Anna Komnene (author of the Alexiad), Bryennios is revealed as a skilled author whose history draws on cultural memories of classical Roman honor and proper masculinity to evaluate the politicians of the 1070s and implicitly to exhort his twelfth-century contemporaries to honorable behavior. Bryennios' story valorizes the memory of his grandfather and other honorable, but failed, generals of the eleventh century while subtly portraying the victorious Alexios Komnenos as un-Roman. This reading of the Material for History sheds new light on twelfth-century Byzantine culture and politics, especially the contested accession of John Komnenos, the relationship between Bryennios' history and the Alexiad and the function of cultural memories of Roman honor in Byzantium.
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The Harbour of Eleutherios (Greek: λιμήν Ἐλευθερίου), later known as the Harbour of Theodosius (Greek: λιμήν Θεοδοσίου, Latin: Portus Theodosiacus) was one of the ports of ancient Constantinople, the capital of the Byzantine Empire, located beneath the modern Yenikapi neighbourhood of Istanbul, Turkey. The harbour was located on the south side of the peninsula where the city is built, facing towards the Sea of Marmara. The other harbours of the city were the Harbour of Julian and the small harbour of the Boukoleon Palace, likewise on the southern shore, and the harbours of Neorion and Prosphorion on the northern side. The harbour was built in the late 4th century during the reign of Theodosius I, and was the city's major point of trade in Late Antiquity. The area was later transformed for agricultural use due to the effects of erosion and silting. In Ottoman times, the area was built over. Here is a video about the harbour:
From NY Times: All images of public-domain artworks in the Metropolitan Museum of Art’s collection — about 375,000 — are now free for anyone to use however they may please.The museum announced on Tuesday that it had changed its open access policy to allow free, unrestricted use of any images of artworks in the public domain, using the license designation Creative Commons Zero, known as CC0. Click here to access the collection
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