Late Byzantine Sculpture (Studies in the Visual Cultures of the Middle Ages)
Late Byzantine sculpture http://ift.tt/1i5y4m5
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CFP: Miracles and Wonders in Antiquity and Byzantium
A conference at the University of Cyprus, 16-18 October 2014. Tales of miracle and wonder decorate both ancient and Byzantine literature and seem to have had a great impact upon ancient and Byzantine thought. A strong interest in the wondrous is already apparent in the works of Homer and Hesiod. However, a more organized recording of marvels is detected much later, in Herodotus’s time, when marvelous stories and travel accounts of exotic places and peoples are increasingly produced. From the era of Alexander and onwards such stories are recruited by historians and rhetors in an attempt to apotheose the ideal ruler. Between the third century BC and the third century AD, the genre of paradoxography, collections of stories relating strange events and phenomena, achieves great popularity, and influences another new genre, the Hellenistic novel. At about the same time, a number of stories circulate that relate the miraculous healings of suffering people who practice incubation in Asclepi...
Brief but useful list of terms relating to Byzantine and Medieval Russian history
From Slideshare Byzantine Empire & Russia Vocabulary from ierlynn
Open Greek and Latin Project
Via Gregory Crane The Open Greek and Latin Project proposes to provide an extensive foundation for Open Access and Open Data research in the study of Greek and Latin, creating a collection, available under a CC-BY-SA license, of works produced from the Homeric epics in the mid-eighth century BCE through the 20th century CE and including content from public domain editions (including editions published as late as 1991 in 2017 under German law). Building directly upon more than 25 years of continuous research and development by the Perseus Digital Library and upon recent breakthrough work on OCR for Classical Greek, Open Greek and Latin proposes a new collection with the following layers: (1) c. 3 billion words of Greek and Latin from public domain books with library metadata generated by OCR optimized for those languages; (2) c. 1 billion words of Greek and Latin with reasonable metadata for composition date and/or of reasonably datable text; (3) 500 million words of text with met...
Byzantine Church: Acts of the Council of Chalcedon 451
THE FOURTH ECUMENICAL COUNCIL: THE COUNCIL OF CHALCEDON. A.D. 451. Emperors. -- Marcian and Pulcheria (in the East). Valentinian III. (in the West). Pope. -- Leo I. EXTRACTS FROM THE ACTS. SESSION I. (Labbe and Cossart, Concilia, Tom. IV., col. 93.) Paschasinus, the most reverend bishop and legate of the Apostolic See, stood up in the midst with his most reverend colleagues and said: We received directions at the hands of the most blessed and apostolic bishop of the Roman city, which is the head of all the churches, which directions say that Dioscorus is not to be allowed a seat in this assembly, but that if he should attempt to take his seat he is to be cast out. This instruction we must carry out; if now your holiness so commands let him be expelled or else we leave. (1) The most glorious judges and the full senate said: What special charge do you prefer against the most reverend bishop Dioscorus? Paschasinus, the most reverend bishop and legate of the Apostoli...
Byzantine texts and editions
Byzantine editions and interpretations University of Cyprus // // The purpose of a modern critical edition is to reconstruct the original text as written by its author. But should that be its only aim? Arguably, it involves tracing the composition technique employed by the author, or the text's later adaptations in another register (metaphrases) or even possible translations into another language. Thus the modern editor's aim is, on the one hand, to present its history and on the other, to offer a modern, reader-friendly, text edition. In this workshop, the discussion will focus on the following subjects: • Types of sources and supplementary materials: fontes and similia, along with imitationes and testimonia, which are essential for the constitutio textus as well as for a better appreciation for the text, in particular its composition technique and literary impact. • The possibility or necessity of distinguishing between them in printed (or digital...