A study by Ljudmila Pekarska (British Museum):
Kiev, one of the most ancient cities of Europe, was for three
centuries the capital of the powerful East Slavonic state of
Kievan Rus’ (10th–13th centuries). Prince Vladimir the Great,
ruler of Kievan Rus’ (r. 980–1015) introduced Christianity to
Rus’ from Byzantium, making it the new state religion in 988.
The event marked the beginning of a new era in art for Rus’ in
general and for Kiev in particular, which accessed and
absorbed the rich culture of the Byzantine Empire.
Strategically located on the steep banks of the river Dnieper,
Kiev became the focal point of contact between Rus’ and the
Kievan Rus’ was very active in adopting everything it
needed to become a prosperous state. It developed quickly
following the construction of the first Rus’ Christian stone
church – richly decorated with marble, mosaics and frescos –
built by Byzantine architects and builders in the 10th century
in a courtyard in the centre of Kiev.
In the wealthiest and most
influential parts of the city, where there was a high
concentration of very rich members of princely families,
marvellous palaces, stone churches and monasteries were
erected surrounded by the building complexes and courtyards
of nobles, warriors, administrators, merchants and craftsmen.
Local architects, painters and goldsmiths prospered there. In
the course of a century Kiev developed into one of the largest
international centres in Europe and some Western prelates in
the 11th century described Kiev as being ‘the rival of
Chronicles glorified Kiev as ‘the charm of the
world’ and ‘the mother of all cities of Rus’, and wrote ‘Kiev does
honour to all the lands of Rus’…, it is the glory of Rus’.
Throughout the 11th and 12th centuries, ecclesiastical and
cultural contacts between Byzantium and Rus’ continued to
flourish. Both architecture and the adornment of churches
reflected Byzantine influences and features.
The most expensive form of monumental decoration appeared in the
interiors of Kievan churches where rich mosaics and frescos
depicted events from the life of Christ. Mystical images of
individual saints beautified churches while simultaneously
seeming to form an integral part of the congregation.
Byzantine influence can also be seen in the miniatures of
Kievan Rus’ illuminated manuscripts, the old Chronicles and in
a number of other books. Christian objects of Rus’ religious
services, such as the magnificent processional crosses, patens,
chalices and other sacred vessels further enhanced the rich
liturgical tradition of the Church. The Byzantine Empire not
only supplied the craftsmen of ancient Rus’ with Christian
iconography and objects but the rich goldsmiths’ tradition
encouraged the development of techniques such as the
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